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Staged reading for “Replays (Great Moments Live Forever)” March 30, 2013

Posted by William Spear in >> News, >> Playwriting.
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On Friday 10 May 2013, Somerset Valley Players in Hillsborough, New Jersey will present a staged reading of ”Replays (Great Moments Live Forever)” by William E. Spear. Replays is set in a failing restaurant of the same name where four characters confront their pasts so they might plan their futures.

Marie Times is an aging reporter who is pursuing one last payday before retiring. In the final hours before her broadcast tribute to legendary and recently passed away sportscaster, Johnny Parks, she befriends three people:

  • Joey Stilts, a writer who played on a championship football team over 35 years ago and whose teammates are gradually dying off;
  • Jack Downs, owner of the sports-themed restaurant named Replays which is on the verge of bankruptcy; and
  • Lois Chaos, a 16‑year‑old high school student whose passion for playing classical music is colliding with her parents’ wishes for her to pursue lacrosse.

Each will choose action based upon their own circumstances but inspired by the sports in their pasts. And they will learn, through their experience at Replays, no matter how they choose, their best moments will live forever.

All tickets for “Replays (Great Moments Live Forever)” are free and are limited to the the first 99 patrons. The time of the reading is being finalized. There will also be a question and answer session afterwards.

Please come out and support the cast of “Replays (Great Moments Live Forever).”

The Playhouse for Somerset Valley Players is located at:

689 Amwell Road (Rte 514)

Hillsborough NJ 08844-3317

http://www.svptheatre.org/

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“The Table” inspired by The Missing Man Table Ceremony July 22, 2012

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A simple table with settings for six awaits its guests. But who are the guests and will they come? Perhaps, more importantly, can they come?

“The Table” is inspired by The Missing Man Table Ceremony which recalls the fate of, and pledges vigilance for locating, Prisoners of War and Missing in Action.

~~

The Table

 

Beat 1)  There is a Table, Set for Six

 

NARRATOR:  There is a table

Which is set

Wherever people congregate.

 

ARMY VOICE:  From upscale restaurants

To downtown soup kitchens.

From dining rooms

To dining cars

To diners.

Invitations have been sent to six guests

And their comrades of many thousands more.

 

Beat 2)  Needing to Believe

 

NARRATOR:  There is a table

Which is set

With circular proportions.

 

MARINE CORPS VOICE:  It signifies our intent

And unending desire,

To know

To understand

And believe,

That our missing guests

Will someday be present.

 

Beat 3)  Protect and Engage

 

NARRATOR:  There is a table

Which is set

Draped with a tablecloth of white.

 

NAVY VOICE:  It symbolizes the purity

And virtue of our guests.

To act

Protect

And engage,

For the service of the country

In a unique and special way.

 

Beat 4)  Bound by Faith

 

NARRATOR:  There is a table

Which is set

With a vase and single red rose.

 

AIR FORCE VOICE:  The rose, surrounded by barbed thorns,

Is symbolic of each guest.

Loved ones

And friends

Are keeping the faith.

The vase is bound with a red ribbon

Just as we are bound to our guests.

 

Beat 5)  Bitter Fates and Tears

 

NARRATOR:  There is a table

Which is set

And laden with lemon and salt.

 

COAST GUARD VOICE:  A slice of lemon drips upon

The bread plate of lives.

Bitter

Are the fates

Kept from the table.

And grains of salt are tears wept by

Absent guests, their families, and friends.

 

Beat 6)  No Celebration

 

NARRATOR:  There is a table

Which is set

With a champagne glass placed upside down.

 

CIVILIAN VOICE:  It holds no toast

And contains no celebration.

It is hollow,

Empty,

A void.

It will never sparkle

Without the brilliance of our guests.

 

Beat 7)  Empty Chairs

 

NARRATOR:  There is a table

Which is set

For guests who can not come.

 

ARMY VOICE:  Upon the table rests a Bible offering strength,

 

MARINE CORPS VOICE:  Faith, and a reminder of our country’s roots.

 

NAVY VOICE:  Chairs beckon, but go unheeded, by our absent guests,

 

AIR FORCE VOICE:  They are comrades, loved ones, and friends who are with us in spirit if not in actuality.

 

COAST GUARD VOICE:  Each served the nation in a special and now unending way.

 

CIVILIAN VOICE:  All shall be remembered while we ask questions and await answers.

 

Beat 8)  Toast to Missing Guests

 

NARRATOR:  We raise our water glasses

In honor of America’s

Prisoners of War and Missing in Action.

We shall forever strive

To learn their fates

Because we will never forget them.

 

ARMY VOICE:  The Army will not forget.

 

MARINE CORPS VOICE:  Nor the Marine Corps.

 

NAVY VOICE:  We, the Navy, remember them all.

 

AIR FORCE VOICE:  So, too, does the Air Force.

 

COAST GUARD VOICE:  Their memories still burn with the Coast Guard.

 

CIVILIAN VOICE:  They were once Civilians and will always be family and friends.

 

Beat 9)  There is a Table

 

NARRATOR:  (WITH EMPHASIS)  We must never forget . . .  (RESUME AS PREVIOUSLY)  . . . That there is a table, wherever people congregate.

 

Beat 10)  The End

~~

 

“The Table” is included in “Lit Between the Ears, Volume Two: Mayonnaise in My Cake and Holiday Offerings” scheduled for release in August 2012.

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Gradually moving the e-book needle (or, Maybe there’s a release date forthcoming) March 7, 2012

Posted by William Spear in Uncategorized.
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More progress in climbing the self-published e-book mountain. Somethings are swiftly accomplished - built a functioning table of contents fairly quickly.

Then needed six hours to center align a graphic at the end of each chapter. And I’m still not sure I understand why the mobi format insists on putting a shadow table of contents at the end of the book.

Nonetheless, the e-book is being built. Maybe a release date is in the offing. We’ll see.

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You might not have believed the NaPlWriMo post from yesterday, but here’s proof December 2, 2009

Posted by William Spear in >> News, >> Playwriting, >> Radio Drama.
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In case you missed yesterday’s post, “Done! Off the Pipes, an audio drama, is finished at 114 pages” (http://twoplusplus.wordpress.com/2009/12/01/done-off-the-pipes-an-audio-drama-is-finished-at-114-pages/), the proof is enclosed!

The Official Rhino Badge was earned by Frank Curts letting me tell 114 pages of his story in Off the Pipes (On NaPlWriMo at http://www.naplwrimo.org/OffThePipes).

The NaPlWriMo community was full of intensely focused writers. From the contacts I had, the group collectively and individually pursued playwriting with passion.

What to write in 2010?

Best to all,

William E. Spear

National Playwriting Month:

http://www.naplwrimo.org/OffThePipes

Other writing on Scribd:

http://www.scribd.com/Two%20Plus%20Plus%20Productions%20LLC

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Done! Off the Pipes, an audio drama, is finished at 114 pages December 1, 2009

Posted by William Spear in >> News, >> Playwriting, >> Radio Drama.
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Monday evening, 30 November, Off the Pipes was uploaded to the NaPlWriMo site (http://www.naplwrimo.org/OffThePipes). The main character is Franks Curts, a quarterback for the American football team, the Rivermen, in the Industrial Football League. Curts had been bothering me to write his story for four years.

The NaPlWriMo seemed a fine opportunity to get the broad parameters of Curts’ story in place. On 1 November 2009, I began writing his story. At that time, I only knew two things about him: 1) He felt he was the only member of the Rivermen capable of winning a championship for the team; and 2) Years earlier, the only previous opportunity to win a championship was lost when the team’s kicker, stoned out of his mind on crack, missed an easy field goal as time ran out.

Thirty days and 114 pages later, the first draft of Off the Pipes was finished and uploaded. The play is written for audio and intended to be performed live. Irrespective of the quality of the draft, and the amount of writing still to be done on the script, a couple of valuable lessons were learned or reinforced:

  1. A lot of writing can be done in a modest period of time;
  2. Self-editing can be wholly, or, at least, largely, turned off; and
  3. Writing for audio is a phenomenally flexible means for telling stories and developing characters.

Hoping everyone’s holidays are joyous,

William

Cross-posted from British Theatre

http://www.britishtheatre.com/profiles/blogs/done-off-the-pipes-an-audio

Off the Pipes and other work may be found at Scribd at:

http://www.scribd.com/Two%20Plus%20Plus%20Productions%20LLC

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